Ancient Britain and Classical Art
CARC Annual Workshop held 27th-28th September, 2018

27th September 2018Session OneDr Peter Stewart (Director, Classical Art Research Centre)Welcome and IntroductionProf Chris Gosden (University of Oxford)From Celtic to Classical: Contrasting Sensibilities and Styles?Session TwoDr Martin Pitts (University of Exeter)Objects in Graves in S. Britain and N. Gaul, c. 100 BC - AD 100: Genealogy, Connectivity, and the Inter-Artefactual DomainDr John Creighton (Univerisity of Reading)Augustan and Other Classical Imagery in Post-Caesarian Britain - Contested Mechanisms and MeaningsSession ThreeDr Fraser Hunter (National Museums of Scotland) Read by Dr Peter StewartChanging the Past and the Present: Metalwork and the Transformation of Insular and Classical art, 100 BC - AD 400(ish)Prof Miranda Aldhouse-Green (University of Cardiff)Style and Schema in Romano-British Cult IconographySession FourDr Eleri Cousins (University of St Andrews)Movements of Art through Time and Space: Asking Old Questions and Finding Strange AnswersConcluding comments 27th September28th September 2018Session FiveDr Susan Walker ( University of Oxford)Enamelling: The Art of the Barbarians in the OceanSession SixProf Ian Haynes (University of Newcastle)Reshaping Visual Culture: Connected Case Studies from Maryport, CumbriaDr Meg Boulton (University of York)Reflections of Rome and Romanitas in early Anglo-Saxon ArtSession SevenDr Susan Youngs (formerly British Museum)What Past, Which Inheritance in Post-Roman Celtic Art?Prof Robin Fleming (Boston College)Do Things Made in Fifth-Century Britain Have an Ethnicity?Session EightProf Martin Henig (Oxford)Britain, Rome and the Continuity of British Art: 200 BCE to 800 CERound-table discussion and concluding comments 28th September